Category Archives: 2) Frequent Destinations

Bad deal on United Airlines – avoid flying the airline from DSM to ABQ

It was bad enough that my husband had to pay $350 for a flight from Des Moines to Albuquerque on United — this is the bare bones fare, non-holiday, no pre-assigned seat, no overhead luggage storage.

To add insult to injury, it took 12 hours for him to get to his destination — way more than planned – because both of his flights were delayed by mechanical problems.  He arrived in Denver two minutes before his connecting flight was due to take off and ran to the gate, just as the door closed. He got to know the Denver airport far more than he wanted.

The weather, of course, was perfect for flying. He’s had trouble before with United. Let this be a reminder to us – – and a warning to you, dear reader – -not to fly this route with United again.

I should add that my husband’s return trip went without a hitch. But it seems like he has trouble with the departure or return every time he flies this route with United.

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Detroit architecture walking tour!

For our next trip to Detroit, this info sent by a friend about an architecture walking tour of downtown Detroit will come in handy: https://detroit.curbed.com/maps/detroit-buildings-architecture-tour

Downtown Detroit’s essential architecture: A walking tour

Downtown Detroit from above | Photo by Michelle & Chris Gerard

Lace up your walking shoes or hop aboard the People Mover. It’s time to take a tour of the major buildings in Downtown Detroit. We did a similar map a few years ago, and we’re happy to say that some of the buildings people feared would be demolished are either renovated or in the process of renovation. We included the major buildings from the riverfront to Grand Circus Park.

We didn’t include all of our favorites, just the most recognizable. The Penobscot stands tall in the skyline, as does the Ren Center and One Detroit (or Ally Detroit). While others, like the Guardian Building and the David Whitney, have some of the most beautiful lobbies in the city.

If you find yourself in Capitol Park or Harmonie Park, we have separate maps for those areas, which are both seeing a surge in renovations.

Time to head out and explore the city! Did we miss your favorite? Let us know in the comments or the tip line.

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Wandering downtown – NYC

3E2B0234-9648-432F-9637-74D07EFB5A27I got a chance to do what I love to do most in NYC (besides seeing old friends and family): Wandering around interesting pockets of the city.

One day, I started at the Bleeker Street subway station and stopped for what turned out to be a giant breakfast at Russ & Daughters Cafe. (I took about half of my eggs/onion/lox and salad to go and left it at Union Square, hoping a hungry person would eat it…) D and I then wandered around the Lower East Side up to the East Village and ended up at Union Square and the holiday crafts market, where I also found some mutsu apples at the farmer’s market.

The second day, I started at the Spring Street station and wandered south into Little Italy and Chinatown, then a little west to Soho (western section is still charming, along Thompson and Sullivan/Spring and  Prince Streets) and then up to Greenwich Village/NYC, stopping for a nutritious lunch (not) of a chocolate chip cookie and coffee at the wonderful old Vesuvio bakery storefront on Prince Street (now technically the Birdbath Bakery despite the iconic storefront from the 1920s) and admiring a gated mews lined with pretty old carriage houses, MacDougal Alley,  just north of Washington Square Park. Reminded me, fondly, of London. I lingered in front of 1 Fifth Avenue, an elegant old building where my parents got married (when it was a hotel, I believe). Then I ended up at The Strand bookstore and at Union Square where I caught the #6 subway back to the Upper East Side.

Noshing on the Upper East Side included a delicious perfectly cooked (medium rare) half pound hamburger at EJ’s Luncheonette and kreplach soup and a corned beef sandwich (shared) at P.J. Bernstein’s. 

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Touring the fabulous new Renzo Piano building – downtown Des Moines

Thanks to the Krause Corporation (owner of the Kum & Go convenience store chain) for opening its fantastic new headquarters downtown for a day of public tours. So many people wanted to walk around the five-story Krause Gateway Center, designed by Italian architect  Renzo Piano that extra tours were added last Saturday (Dec.1) and another day of tours will be available in early January. If you haven’t gone already, go! The building isn’t technically open to the public except for the ground floor lobby which now has some cool architectural drawings and models tracing the development of the building.  Eventually the ground floor will also have a restaurant open to the public — an outpost of Table 128, one of the better restaurants in the metro area. An outdoor plaza to the west of the building is also public green space, with 128 mature trees,  interactive musical sculptures, chess tables, bocce ball courts and cafe tables —  perfect for people visiting the Pappajohn Sculpture Park (just south of the Krause building) who want to bask in the shade for a bit.The building is unlike any other in Des Moines — or elsewhere that I’ve visited–with its massive scale and sculptural look including high glass walls separated by four overhanging white horizontal planes.  The glass walls on the main floor are 29 feet high — higher than any other such walls in North America except for an Apple store in New York City. The space is very light (naturally) and the building almost translucent. From the building’s south side,  you have a fantastic view of the sculpture park below and if you look north, down a long hall, you can gaze through another window at a street leading up to the Sherman Hill neighborhood.

The interior design is sparse and clean with immaculate desks – in various configurations and groupings. There are high top tables, lower top desks, sitting spaces in an upholstered nook that felt a bit like a padded cell (except one side is open.) Most people don’t have assigned desks. Employees do get their own locker, to store their stuff, which they remove and place wherever they plant themselves during a given day. I gather this is au currant office design (and supposedly spurs more collaboration) but also takes some getting used to for employees accustomed to the creature comforts of their very own cubicle, slathered with family photos, gag bobble-heads and stacks of yellowing paper, yes, paper.

None of that to be found at the Krause Gateway Center, where the furniture is clean and contemporary, popping with color including orange and red Swan chairs, the famous chairs designed in 1958 by Arne Jacobsen for a Copenhagen hotel (I grew up with white Swan chairs in our ancestral home) as well as deep blue, orange and green high-backed chairs and couches. Big dramatic pieces of contemporary art also pop off the white walls and blond wood paneling –and there’s even a second floor art gallery, open to employees only.

The roof has vegetation that apparently will grow — and features stupendous views of the city, although I worry that the fencing at the edges isn’t high enough.

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Library book sale, Sip n’soda – Southampton,NY/Wainscott Beach

On the Saturday after Thanksgiving in Water Mill, we made our annual visit to the amazing book sale at the Southampton Public Library where often newly released books can be found for a fraction of their original cost.

Then for something new, seven of us crammed into a wooden booth at Sip n’Soda, the local soda fountain (since 1958) for some no frills food that was pretty good including crisp onion rings, good malts and shakes and a decent BLT and burger. We liked the old fashioned no frills vibe, the long counter, the booths.

We also had a lovely walk along the beach in Wainscott, a three minute walk from the sweet cottage where we stayed this year (my favorite of the many borrowed digs we have stayed at out here). The weather finally warmed, the sun was out and we walked to nearby Georgica Pond.

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Crepes deluxe, U of Iowa Women’s Archives – Iowa city

 

IMIOWACITYPIX.jpgA high school classmate I haven’t seen since high school (i.e. 41 years ago) who lives in Iowa City introduced me to a restaurant there – Crepes DeLuxe. It’s a charming little hole in the wall just east of the PedMall (and the public library).  I recommend the salmon crepe. I also did a little shopping, finding a very warm hat/scarf at White Rabbit and some great clothes (Simpli brand!) on sale (albeit still pricey) at Textiles.

I also toured the U of Iowa Women’s Archives, on the third floor of the main library, which has a remarkable collection of papers, journals and memorabilia from Iowa women dating back to the 1800’s. Wandering through library shelves with archival boxes, glancing at the neat labels, I found everything from prominent politicians and philanthropists to rural/farm women, African-American women, Jewish women and Latinas in Iowa. Proud to say that someday, it will also include my journals, 73 and counting, which I’ve kept daily since I was 13.  I really enjoyed looking at a  farm woman’s journal from the 1880’s – with yellowed pages and faded ink. Her family wisely took it upon themselves to transcribe the journal for posterity onto crisp typed sheets. (Although I won’t be asking my family to follow suit…)

Opened in 1992 by Des Moines philanthropist/activist/feminist/art collector Louise Noun  and Mary Chase Smith (an Iowan who chaired the Republican National Committee in the 1970s), the Women’s Archives is one of only a few in the country, I gather. Noun, a major art collector, sold one of her Frida Kahlo paintings for $1.65 million to endow the archive.

More from Wikipedia:

The idea was conceived by Noun in the 1960s while researching Strong-Minded Women: The Emergence of the Woman-Suffrage Movement in Iowa.[2] To fund the archives, Noun sold Frida Kahlo‘s 1947 painting “Self-Portrait with Loose Hair” at Christie’s New York for 1.65 million dollars. The sale set a record for the most expensive work by a Latin American artist ever sold at auction. The painting was originally purchased by Noun for $85,000 in 1983.[10] The University of Iowa Foundation undertook fundraising to contribute half a million dollars for the archives, which opened in 1992. The Louise Noun-Mary Louise Smith Iowa Women’s Archives is open to the public and currently contains over 1100 manuscript collections of personal papers and records which record women’s history in Iowa and other communities.[9]

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Grant Wood Studio, Cedar Rapids Art Museum, Newbo//Cedar Rapids; Bargain burgers at Shine and backroads drive home from Iowa City

We drove right past the Grant Wood Studio in downtown Cedar Rapids. Who knew it was tucked above a carriage house behind a former funeral home? But very glad we found it because it was really interesting. We watched a short  film about Woods’ life in and around Cedar Rapids and then walked up an outdoor staircase to a small second-floor loft above the carriage house where Grant lived with his mother (and sometimes his sister) and painted some of his most famous paintings, reproductions of which were propped up on an easel in the middle of the main room, a white-walled room with heavy wood beams and lots of natural light flooding in from big windows and a cupola.

We walked a few blocks to the Cedar Rapids Art Museum where we saw some of the paintings Wood painted in the loft – which was pretty cool. We also sawother interesting work including paintings by Wood’s friend/lesser-known artist Marvin Cone and an interesting exhibit of World War I themed paintings done by a 21st century painter.

Cedar Rapids’ indoor public market, Newbo seems to still be doing well (at least it was full of tenants and shoppers/eaters, and it proved to be a good place to pick up a quick bite t before we hit the museum/studio tour).

Dirck was craving a burger so we stopped in Iowa City at Shine’s at about 4 p.m. and found out there’s a Sunday special – until 5 p.m. We each had burgers and fries for $12.73 total. Cheapest dinner we’ve had in a very long time. Maybe ever. The weather was so pretty that we decided to take backroads home, following F52 and a few other remote roller-coaster roads south of Interstate 80. They often struck us as “RAGBRAI roads.” We sometimes lost our way but found cool things including an unusually grant Romanesque church (St. Michael’s Catholic)  in the small unincorporated town of Holbrook, circa 1867 (according to the National Historic Register plaque nearby.) Several old gravestones dated back to the 1880’s and most are  Irish settlers. More details here.

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Figge Museum, Hotel Blackhawk, Fred at Up, Faithful Pilot – Davenport/LeClaire

15CEA6D8-3D11-4E3A-9766-C4DE0606B41EFinally made it to the Figge Museum, thanks to the Des Moines Art Center’s Docent program. I enjoyed the French Moderns show, a traveling exhibit from the Brooklyn Museum, but also enjoyed the fabulous outsider art of William Hawkins, an exhibit of John Bloom (liked his rural scenes much more than the work of his known wife Isobel.) The Figge building, the first new major U.S. commission for English architect David  Chipperfield (whose latest commission is an addition to the Met in NYC) is stunning. It’s clad in white  see-through glass with huge windows looking out to the Mississippi and high white ceilings inside.

3E64C07B-6271-4860-BBCF-03065F476E1F.jpegWe stayed at the renovated historic Hotel Blackhawk which was organized by the tour, otherwise I would stick with a much less expensive Airbnb, although the hotel had some charming features including an old-fashioned   atrium lobby and a funky bowling alley /bar in the basement. I’m also curious about the artsy Current Hotel, which has a fantastic rooftop bar called Up, with an outdoor patio with stupendous views of the river and lock and dam. We bumped into the Democratic Gubernatorial candidate Fred Hubbell who was preparing for a debate today. We wished him well!

4F3675E7-EA61-435F-9E75-58B0DF593684.jpegDinner was very good at The Faithful Pilot, about  a half  hour drive north in LeClaire. Three others joined us and we were all happy with our meals and each other. We all had small plates. Dirck and I had excellent pork belly with potatoes plus mussels in a light tomato sauce. Glad we booked ahead. Small place and busy. It has a cool view of the old riverboat beached behind a glass wall in the local history museum and a  cozy atmosphere, with an occasional train rumbling past, near the riverbank.

We had a mediocre lunch at Lagomarcino’s Confectionery in East Davenport.  Better to stick with their specialties – -candy and ice cream. We did have a good chocolate milk shake. Also went to a nonprofit art gallery in rock island. Other Davenport restaurants to try: Me and Billy Cafe, Front Street Brewery and Duck City bistro.

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A Viking Cruise Along the Mississippi with Iowa stops in: Davenport, Burlington and Dubuque?

Along the Mississippi in Bellevue, Iowa

On a day when we could use some distractions, here’s an interesting report in the Des Moines Register that Viking Cruise ships could soon be coming to a port near you —  if you live in Eastern Iowa!

Viking River Cruises wants to bring its ships to Iowa as Mississippi River tourism booms

https://dmreg.co/2IgSRXM

Sabula Iowa (Iowa’s only “island” city) along the Mississippi.

Sent from my iPad

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Gorgeous day for a tour of Iowa barns – in central Iowa.

We should have set aside more time but in three hours we still managed to visit four distinctive barns in Central Iowa (Story and Marshall Counties) on a spectacularly beautiful early Autumn day. Thanks to the Iowa Barn Foundation for making this opportunity possible, free of charge (although I now realize I need to make a donation to support the foundation’s worthy work of preserving Iowa’s old barns, and in the process, its rural heritage and agricultural history.)

The hardest part of the two-day fall tour — held annually  statewide (the spring tour focuses on one geographic region) — was deciding where to go since there are so many barns on display. The Foundation breaks the state into nine geographic regions, which is a helpful start. I looked at the regions closest to Des Moines (central and south central) to see how many barns are listed and their locations. I thought we’d head southeast to Madison County but a few minutes into the drive, as I was looking closer at the Foundation’s list, I realized that Story and Marshall Counties had some particularly cool barns and a few were within miles of each other so we could see several in an afternoon. My patient driver (Dirck) switched course and we drove northeast instead.

Some other tour-goers I met told me that the Foundation used to provide maps showing the specific locations of the barns/farms, which would be helpful. Without that, some tour-goers now map out their tour in advance — which is a smart idea and an improvement upon my last-minute geographical plotting. Although in remote locations, we found the barns easily, thanks to  GPS and 911 emergency system requirements that the smallest of gravel roads have names or at least numbers.

The four barns we visited differed  in terms of architecture and degree of restoration — although they were all similarly situated, on remote gravel roads in the countryside, usually beside a pretty old farmhouse and a prosaic modern metal shed that has largely replaced traditional barns. As my resident ag expert explained, old barns weren’t built for today’s agriculture. They don’t have big enough doors or enough space for large machinery.  And today’s livestock hang out outside, unless they’re stuck in big metal confinement sheds.

The experience of visiting each barn also differed. At the first barn in the small town of Fernald, north of Colo, – a rare square barn built in 1875 and restored in 2004 – we pulled up to a farmstead with no signs of life, but the door was open to the pretty red-painted wood barn with a limestone foundation, accented by nearby pink and orange asters.  Great that we could walk right in, where we found a sign-in book and a table laden with plastic containers full of sweets – sweet rolls, Kringla, cup cakes, cookies, brownies, chocolates. No invitation to partake and no place to donate. I couldn’t resist trying a few sweets – including a decadent peanut cluster and German Sweet Chocolate brownie.

Built on a farm bought by the Handsaker family in 1853, the square barn inside was very rustic — they all were, with late afternoon yellow light filtering in through the windows and spaces between the wood plank walls, spotlighting the interior’s sturdy latticework of wooden beams.  (Because the barns were built before electricity, and electric lights. they often have lots of windows and natural light.) It was refreshing to wander around with no directions or posted cautions couched in legalese (i.e. warnings about taking your life into your own hands by walking on narrow rickety steps up to the barn’s second floor hay loft or wandering on the sometimes less that solid feeling wood planks of the second floor, past openings with sheer drops to the bottom floor.) The downside is that these barns were definitely not built to be disabled-accessible.  We brought our dog Millie along and had to keep her on a leash to make sure she didn’t do anything stupid/harmful.

Two women later pulled up from Pottawatomie County (near Council Bluffs, about two hours west) and they appeared to be tour veterans. I got the impression they pick a different region to tour each year.  One woman has received a grant from the foundation to restore her grandfather’s 1905 barn near Oakland, Iowa. I need to find out more about the Foundation’s grant-making but I gather it awards grants for restoration that recipients must match – and they also must agree to open their barn to public view during the tour. I also gather the Foundation lives on private donations. One barn owner told us they got a $50,000 grant. I don’t know what the max or min or average is. Or how much that covers of what can be very costly restoration projects.

At the second barn we visited in Colo –a more traditional straight-walled barn built in 1885 —  we joined four other people (three from Ames, one from Nevada – the state, not the small Iowa town near Ames)  on a  casual tour mid-stream led by the young owner who along with his wife has taken on the barn restoration as a hobby after moving to the farmstead a few years ago. Unlike some owners we met, they’re not farmers.  They both work in Ames but wanted to  live out in the country on an acreage. They do have some cattle and pumpkins growing in the garden and a beautiful Victorian farm house with a tasteful modern day addition. Their partially red-painted barn in on the National Historic Register and they are doing intensive labor to rebuilt the inside to near original state, with plank-and-batten siding/paneling (aka board-and-batten or wainscoting that alternates wide boards and narrow wooden strips called battens) and using original materials (white oak, pine, cottonwood) which has meant finding and bringing back wood from Wisconsin by rail and then by truck, as well as wood found online (“I’m a Craig’s list junkie,” he told us.) They are taking advantage of modern-day technology by using power tools rather than hand drills.

Unlike some of the owners, these owners did not grow up with or inherit their barn/farm so they have spent considerable time trying to figure out what various bits of the barn were used for and what materials they need to restore it. They hope to have the job done in a few years.

“I really do love doing this  kind of stuff – I don’t golf or play softball so I get out here to use my brain for a different purpose. I read a lot,” he told us. Noting how the  heavy wooden timbers are help together with wooden pegs (not nails) at the joints, he said, “When you think about all the ingenuity back then, it’s kind of staggering. It’s basically like a wood ship built,  upside down.”

The Barn Foundation’s website (full of interesting material) includes a piece by the previous owner written for the 2015 all-state barn tour, with great historical info:  The barn was built by an Irish family (the Mulcahys) who bought the land in 1872 from the federal government and they owned it until 1999 when it was bought, improbably, by a young couple from New York City who wanted to raise their kids on a farm. They started with the renovation- pouring a new foundation, putting on a wood shingle roof, and hiring “frame straighteners to square the roof.” Without this, the barn would have collapsed. The next owner (and author of this history) from Texas found the barn in distress, a decade after its renovation. He started another restoration, with a matching grant from the Iowa Barn Foundation. He loved the “old world air” of the farmstead, which includes other 19th-century burilindgs including two corn cribs, two chicken houses and a coal building. Interestingly, he notes: “I did not restore the barn to perfection; I believe one loses the historical essence of something when you replace all the parts with new. To that end, I’ve kept the original siding on the barn, warts and all. The barn has a sound foundation, roof, good doors and windows, plus nice red paint with white trim work. It looks like a structure that has survived the test of time and will for many years to come.”

The third barn (on Elmnolle Farm in State Center) is a massive round barn (65 foot diameter), made of peeling white-painted wood and a stucco roof, built in 1919 from a pre-cut kit designed and made to order in Davenport, Iowa. It cost $6000. I’ve seen a few round barns from the road but they are even cooler inside. They feel almost like cathedrals, the ceiling is so high and curved. There is a massive (12 x 35) clay block silo in the middle (built with blocks from Lansing, Michigan), surrounded by 13 dairy cow stanchions, five double horse stalls, two box stalls, two grain rooms, a milk room and tack room. Truly a “general purpose barn.” The barn is topped by a large round cupola with windows, louvers and a conical roof.

Although oddly round, the barn still has a classic inverted U-shaped, gambrel roof, aka “Dutch or barn-style roof,” which wikipedia tells me is a symmetrical two-sided roof with two slopes on each side, the first slope shallow the second steep, which is good for water run-off (preventing mold and mildew) but not as good as other roof styles at withstanding heavy snow or high winds. But the owner told us the barn’s overall round shape was, at the time, considered sturdier and better able to withstand strong winds than a straight-sided barn.

Considered experimental, back in the day, it was interesting to learn how the barn was laid out, like theater-in-the-round, for agriculture – apparently round barns were thought to make more sense space-wise than a more traditional barn, providing more storage and a circular layout so it’s easier to get to things than having to walk down long narrow corridors.    This barn was part of a century farm, which means the same family has owned it for 100 years. The woman showing us around turned out to owner of a parked nearby with the Georgia plates. She and her husband live there and here, on the farm first owned by her grandfather (“he was a little forward-thinking” she replied when I asked if people thought he was crazy to build a round barn)  and then her father (born the farm in 1916) and then her (born on the farm in 1941).

“As a little girl I loved to tag along behind my dad,” she recalls, although girls and women didn’t do as much farm work in those days as they do today. “I finally go to do a few things” including stacking hay. “It was scratchy and it was dirty.”

The round barn needs a new roof and shingles – no small or cheap task – and a new second-level floor, a bigger project than the maintenance effort they envisioned when they applied for their first grant of $50,000. They have been encouraged to apply for another.

The fourth barn, red-painted wood, restored in 2006, had a lovely little cupola at the top and the owners had a thick scrapbook full of family photos and mementos from the many years the barn has been in the family. One was a hand drawn map with the names and locations of various horses that bunked in the barn. The cupola says 1906 on it but apparently that marks the date when the barn was moved, a little back from its original location nearer the road. The owner didn’t know how old the barn was but said it was on the property when his grandfather bought the farm in 1893. The owner pointed out handprints in the cement floor – made by his grandfather as a child and his sister. Although the barn is now empty, he said it used to house milk cows and hay bales. And the current owners kids kept goats, horses, sheep and pigs in the barn.

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