(After the fact post)
You don’t even have to go into NYC’s Metropolitan Museum of Art to see these four new haunting sculptures. They’re in the four niches of the MET’s facade — the first time that sculpture has been placed in them.
The commission went to Kenyan artist Wangechi Mutu, whose work I know from the Des Moines Art Center where her Water Woman sculpture of an enticing and somewhat menacing mermaid/siren is a big hit with the fourth-graders I take on tours. The Met installation is temporary so see it while you can!
Overwhelming and disorienting and showy and unnecessary are the words that came to mind. (Here’s a promo blurb: Hudson Yards is unlike anything ever built before — a living, breathing neighborhood that champions first-to-New York experiences. Climb Vessel, the interactive centerpiece of Hudson Yards. Visit The Shed, a new center for art and inspiration. Or take in the scene from thrilling new heights on Edge — an outdoor space a thousand feet in the air.)
Young and gorgeous Maggie Rogers also put on a high-spirited show, dancing exuberantly across the stage during almost every well-sung song. The folk rock group Dawes (a favorite of our son’s) and The War and The Treaty — a wife/husband soul group and one of the few Hinterland non-white groups — also threw everything they had into their show. Well done!
Word has it over 900 people showed up last Saturday night (June 1) for the Des Moines Center’s first show to feature the artwork of LGBT&Q artists…The crowd included many members of the “queer” community, some drag queens, no shortage of presumably straight folks and me. It was a great celebration – with food, drink, music – and, of course, work by 15 artists that is well worth a visit to see! Oh and it also won a major prize from Sotheby’s: 
Wish I had discovered the $3 day public transport pass earlier here. Then I wouldn’t have overdone it by walking miles and miles on Sunday. I bought a pass with cash on the St. Charles Streetcar and used it all day to wander around the city. When I got tired or when the walk to the next spot was too long, I hopped on a streetcar or bus. And I did my old trick of hopping aboard the streetcar when walking became an issue, riding all the way to the end of the line and back which is a great ride, past gorgeous stately homes and Tulane and Loyola Universities and Audubon Park and the gated streets across the street (Audubon Row).
I followed the Fodor’s walking tour in the Garden District, which took me past a number of beauties, some homes of famous folks, from the former confederate president Jefferson Davis to the actor John Goodman and the author Ann Rice. (Along Prytania and Coliseum Streets between Washington Avenue and First Street; First Street between Prytania and Camp Streets.) I also went past Lafayette Cemetery #1 which I meant to revisit (next trip) and Commanders Palace, where we ate during my first NOLA trip in the late 1980s. Lunch was a corned beef sandwich at the funky Stein’s Deli on Magazine Street, where I also did a little birthday shopping for my daughter at Grandma’s Buttons (jewelry made from old buttons) and Funky Monkey (vintage.) I really wanted to eat at Turkey and Wolf but it is closed on Tuesdays…
I got off the streetcar in the Warehouse District, had some hot chocolate (it’s still cold here but the sun finally came out around 3 p.m. What a difference!) while sitting in a mod comfortable chair in the coffee shop of the Contemporary Arts Center and browsed briefly in the gift shop of the Ogden Museum of Southern Art (both look well worth a visit), which had some lovely work by, yes, southern artists. But the biggest shock was when I was strolling casually past the galleries nearby on Julia Street. First I spotted new work by Eric Fischl, one of my favorite big name artists. But in the next gallery I chanced upon a solo show of work by an artist I know — Elliott Green, who I went to high school with my brother and is his close friend/former NYC roomate circa the early 1980s. Crazy. And I loved his new work!
Finally made it to the Figge Museum, thanks to the Des Moines Art Center’s Docent program. I enjoyed the French Moderns show, a traveling exhibit from the Brooklyn Museum, but also enjoyed the fabulous outsider art of William Hawkins, an exhibit of John Bloom (liked his rural scenes much more than the work of his known wife Isobel.) The Figge building, the first new major U.S. commission for English architect David Chipperfield (whose latest commission is an addition to the Met in NYC) is stunning. It’s clad in white see-through glass with huge windows looking out to the Mississippi and high white ceilings inside.
We stayed at the renovated historic Hotel Blackhawk which was organized by the tour, otherwise I would stick with a much less expensive Airbnb, although the hotel had some charming features including an old-fashioned atrium lobby and a funky bowling alley /bar in the basement. I’m also curious about the artsy Current Hotel, which has a fantastic rooftop bar called Up, with an outdoor patio with stupendous views of the river and lock and dam. We bumped into the Democratic Gubernatorial candidate Fred Hubbell who was preparing for a debate today. We wished him well!
Dinner was very good at The Faithful Pilot, about a half hour drive north in LeClaire. Three others joined us and we were all happy with our meals and each other. We all had small plates. Dirck and I had excellent pork belly with potatoes plus mussels in a light tomato sauce. Glad we booked ahead. Small place and busy. It has a cool view of the old riverboat beached behind a glass wall in the local history museum and a cozy atmosphere, with an occasional train rumbling past, near the riverbank.
TakeBetsywithyou 