Anyone who eats out in Des Moines – or aspires to – has noticed a sudden profusion of South American restaurants in town – Peruvian (an elegant little place called Panka on Ingersoll Ave), Argentinian, Brazilian and Ecuadoran. Apparently the mass is critical enough to warrant a South American food tour (on July 27 and Oct. 5) — Check out this story in the DSM Register. https://www.desmoinesregister.com/story/entertainment/dining/2019/06/18/wow-des-moines-tours-launches-south-american-cuisine-peru-colombis-argentina-brazil-near-me/1485577001/
(It mentions Columbian food too – don’t know what restaurant serves that!)
Word has it over 900 people showed up last Saturday night (June 1) for the Des Moines Center’s first show to feature the artwork of LGBT&Q artists…The crowd included many members of the “queer” community, some drag queens, no shortage of presumably straight folks and me. It was a great celebration – with food, drink, music – and, of course, work by 15 artists that is well worth a visit to see! Oh and it also won a major prize from Sotheby’s: 
It only took about 30 years but last night, friends dragged me over to Carl’s, the famed dive bar in Des Moines’ Sherman Hill neighborhood. From the outside, the worn wood building looks like it’s about to collapse. Inside, the place was bigger and brighter than I expected, with a lively and diverse crowd enjoying Tuesday night live music by local musicians. I’m not big on bars – I don’t drink much – but I get the draw of this place and see why people (including many a visiting Democratic operative) love it. It feels “authentic.”
Thanks to the Krause Corporation (owner of the Kum & Go convenience store chain) for opening its fantastic new headquarters downtown for a day of public tours. So many people wanted to walk around the five-story Krause Gateway Center, designed by Italian architect 
The building is unlike any other in Des Moines — or elsewhere that I’ve visited–with its massive scale and sculptural look including high glass walls separated by four overhanging white horizontal planes. The glass walls on the main floor are 29 feet high — higher than any other such walls in North America except for an Apple store in New York City. The space is very light (naturally) and the building almost translucent. From the building’s south side, you have a fantastic view of the sculpture park below and if you look north, down a long hall, you can gaze through another window at a street leading up to the Sherman Hill neighborhood.
The interior design is sparse and clean with immaculate desks – in various configurations and groupings. There are high top tables, lower top desks, sitting spaces in an upholstered nook that felt a bit like a padded cell (except one side is open.) Most people don’t have assigned desks. Employees do get their own locker, to store their stuff, which they remove and place wherever they plant themselves during a given day. I gather this is au currant office design (and supposedly spurs more collaboration) but also takes some getting used to for employees accustomed to the creature comforts of their very own cubicle, slathered with family photos, gag bobble-heads and stacks of yellowing paper, yes, paper.
None of that to be found at the Krause Gateway Center, where the furniture is clean and contemporary, popping with color including orange and red Swan chairs, the famous chairs designed in 1958 by Arne Jacobsen for a Copenhagen hotel (I grew up with white Swan chairs in our ancestral home) as well as deep blue, orange and green high-backed chairs and couches. Big dramatic pieces of contemporary art also pop off the white walls and blond wood paneling –and there’s even a second floor art gallery, open to employees only.
The roof has vegetation that apparently will grow — and features stupendous views of the city, although I worry that the fencing at the edges isn’t high enough.
Finally made it to the Figge Museum, thanks to the Des Moines Art Center’s Docent program. I enjoyed the French Moderns show, a traveling exhibit from the Brooklyn Museum, but also enjoyed the fabulous outsider art of William Hawkins, an exhibit of John Bloom (liked his rural scenes much more than the work of his known wife Isobel.) The Figge building, the first new major U.S. commission for English architect David Chipperfield (whose latest commission is an addition to the Met in NYC) is stunning. It’s clad in white see-through glass with huge windows looking out to the Mississippi and high white ceilings inside.
We stayed at the renovated historic Hotel Blackhawk which was organized by the tour, otherwise I would stick with a much less expensive Airbnb, although the hotel had some charming features including an old-fashioned atrium lobby and a funky bowling alley /bar in the basement. I’m also curious about the artsy Current Hotel, which has a fantastic rooftop bar called Up, with an outdoor patio with stupendous views of the river and lock and dam. We bumped into the Democratic Gubernatorial candidate Fred Hubbell who was preparing for a debate today. We wished him well!
Dinner was very good at The Faithful Pilot, about a half hour drive north in LeClaire. Three others joined us and we were all happy with our meals and each other. We all had small plates. Dirck and I had excellent pork belly with potatoes plus mussels in a light tomato sauce. Glad we booked ahead. Small place and busy. It has a cool view of the old riverboat beached behind a glass wall in the local history museum and a cozy atmosphere, with an occasional train rumbling past, near the riverbank.
TakeBetsywithyou 